Dalmonte, Rossana (2004) The concept of auralising and trace in a formalized grammar of music. UNSPECIFIED. (Unpublished)
Abstract
This paper tries to give a cognitive insight of the "chord transformation figure", one of the rules discussed in the book by M.Baroni-R.Dalmonte-C.Jacoboni, "A computer aided inquiry on music communication". After emphasising the physical nature of the affinity between the notes of the triadic chord, the papaer takes into consideration the transcultural constraints and the intracultural rules of music. More recent studies in the field of psychology of music are discussed.
Actions (login required)